We're Back...
Date: Sun, Oct 5, 2008 Wine Tasting
The dogs are sleeping the day away, recharging their batteries after a week of romping in the surf. Me? I'm just enjoying my last day of vacation. Regular programming to resume tomorrow. (Sorry to keep you waiting, Joe.)
Domaine Barmès-Buecher, February 2004
Date: Sat, Oct 4, 2008 Wine Tasting
From the MFWT archives – November 5, 2007.
Crossing the border into Alsace after a brief two days on the German side of the Rheinland, our first stop in France during a February 2004 wine trek was at Domaine Barmès-Buecher. Situated on the Route des Vins in Wettolsheim, just SW of Colmar in the Haut-Rhin, the estate was founded in 1985, joining the work of the Barmès and Buecher families which had each been involved in some aspect of viticulture since the 17th Century. François Barmès and his wife Genevieve (née Buecher) along with eight full-time employees, farm a total of 16 hectares of vineyard, spanning six different communes in the environ of Wettolsheim, from the Grand Cru sites of Pfersigberg in the south to Hengst in the north. The estate is made up of 96 separate vineyard plots, ranging in size from as large as two contiguous hectares to as small as five or six rows in a particular climat. Our visit there would prove to be one of the most intense of the entire trip.
In the Field:
François Barmès completed conversion of his entire property to Biodynamics in 1998, reflecting a change in philosophy that had begun for him in the early 1990s. I’ve met few vignerons with energy levels as intense as that of François and I’ve yet to meet anyone with as passionate an attachment to his land. That passion was reflected in our time spent at the estate. Arriving shortly after a quick lunch at a little café in Wettolsheim, we met François at his winery and headed straight out to his vineyards. The sun was setting by the time we returned to the winery, at least four hours having elapsed. During those hours, M. Barmès led us from vineyard to vineyard, expounding on his farming practices, the special characteristics and energy of each plot, the negative effects of conventional farming on the land around his, and on the viticultural trends and climatic tendencies of Alsace in general.
The Vosges, at 1300-1400 meters elevation, lie just to the west of Alsace, creating a natural rain block for the viticultural landscape. Combined with the reflective power of the sun beaming off those hills onto the vineyards below, the climate in Alsace is naturally much warmer and drier than in the German portions of the Rheinland. In spite of that warmth, Alsace, as one of the northernmost wine regions of France (only Champagne is more northerly), sees a low number of sunlight hours throughout the growing season.
To work that limited sunlight to its fullest advantage, Barmès utilizes Double Guyot vine training, with wires placed at 1.8 meters to maximize the sunlight captured by his vines. He seeks naturally low yields in the vineyard, training his vine shoots in a downward arc meant to slow the flow of chlorophyll to the grapes and to promote full foliage development. He does not practice green harvesting, fruit reduction or leaf removal, operating in a belief that vines possess long-term memory and that removing pieces of their whole only redirects energy in confused directions. And it seems to work. His yields average 35-50 hl/ha, low by any reasonable standards and quite low given the Alsace AOC standard of 80 hl/ha.
To cope with the dry conditions – he has holdings in the Herrenweg cru, one of the driest vineyard sites in all of France – the estate is farmed completely by hand and, according to Biodynamic principles, with no chemical or synthetic fertilizers. Hand culture, François told us, keeps the soil soft and friable, promoting deep, vertical root growth that allows the vines to reach low water tables, creating natural drought resistance. Standing between his rows in Herrenweg, we could see the beneficial results of his work. Where his neighbors’ soil was gray and compacted, his was brown and soft under foot. It looked alive. Yellow ribbons, used to mark a dead plant, were tied around every third or fourth vine in a neighboring plot. We saw only one or two in Barmès’ entire parcel.
Given the timing of our visit, François spoke in particular of the rigors of the 2003 vintage. Only 200 millimeters of rain fell in Wettolsheim during the entire year, with nary a drop from the end of February through mid-October. Those deep root systems were put to the test and passed, with no damage occurring directly from the drought. That said, his plants did suffer from the intense heat, which averaged 28°C with little night cooling. Sugar levels accelerated so quickly at the end of summer that many producers picked their fruit only 80 days after flowering; 100 days is generally considered the minimum duration for achievement of physiological maturity. Those like Barmès who waited lost some of their fruit to the heat but achieved greater complexity, according to François, in their finished wines.
We finished the tour of Barmès’ vineyards with a hike up the slope of his most recent acquisition, a parcel called “Clos Sand” located on a steep hillside in a forested corner of Wettolsheim, followed by a drive through the rolling, wall-enclosed cru of Rosenberg. On the way through, François pointed out a parcel where, in 2001, wild boars destroyed 60% of his crop while he was away on a week long vacation. Apparently the pigs favor naturally farmed fruit, as they ignored the neighboring vines owned by conventional growers.
At the Winery:
Back at the winery, François drove home the points he’d been making all afternoon. 95% of the work at the Domaine, he said, is done in the vineyard, only 5% in the cellar. The vineyard is everything to him; the cellar is only for tasting and making sure all goes well. In keeping with that philosophy, Barmès puts only juice into his tanks and barrels. All wines are wild yeast fermented; nothing is ever added other than sulfur, and that only for anti-oxidative purposes after completion of fermentation.
Believing that their fruit and wines should be handled just as gently as the soil in their vineyards, François and Genevieve have constructed a three-level winery. All fruit, after harvest, is brought quickly into the top level, where a vibrating sorting table is used to remove any imperfect clusters before the fruit goes to the pressoir. After pressing is complete, the juice is moved by gravity to the cuves in the level below. Only following a long, slow fermentation and the appropriate aging regimen are the wines moved, again by gravity, to the lowest level where they go through a gentle filtration prior to bottling.
In the Cellar:
By the time François led us to his underground cellars for a tasting, we were all feeling the effects of a long, cold day in the vineyards on top of the day-three creep of jet lag from our recent journey across the Atlantic. We knew that the estate produces a huge array of wines – approximately 30 different cuvées are vinified each year – but we were nonetheless astounded when we saw the array of bottles he’d lined up for us to sample. The dégustation proceeded at a blur, resulting in some rather brief tasting notes.
- Pinot Noir “Réserve” 2002
Pinot Noir was planted on the property in the 1950s, at the suggestion of the Marquis d’Angerville following his visit to the vineyards of Wettolsheim. 2002 was a difficult vintage, with a bout of frost in September and rain at harvest. Aged in barrels previously used for the “Vieilles Vignes,” this exhibited pale color, lean texture and smoky, wild red-berry fruit. - Pinot Noir “Vieilles Vignes” 2000
All fruit for the “VV” comes from the Hengst vineyard, from which Pinot Noir is now entitled to Grand Cru status (as of 2006). In any given vintage, it spends between 18-22 months in new barrel. Darker, richer color, with smoky fruit and delicate oak carrying ripe, red and black cherry fruit. Only four barrels made. - Pinot Noir “Réserve” 2003 (from barrel)
Reductive. Apparently, François stated, this is normal at this point in the wine’s evolution. If the reductivity shows only on the nose, it will dissipate with more time in the barrel. Darker, richer and softer fruit relative to the 2002, with lower acidity but good tannin development. - Pinot Noir “Vieilles Vignes” 2003 (from barrel)
Just finished malolactic fermentation (all of the estate’s wines, red and white, go through malo). Big fruit, grapey nose, with high alcohol showing on a sweet finish.
Before moving on to the white line-up, our host described what he sees as three distinct families of white fruit types in the Alsace vignoble: mineral (Riesling, Silvaner), oxidative (Pinot Blanc, Pinot Gris), and aromatic (Gewurztraminer, Pinot Auxerrois, Muscat).
- Pinot Blanc Rosenberg 2001
Limestone, sandstone and flint dominate the soil in Rosenberg. Rich yellow color. Ripe, melon and orchard fruit on palate, balanced by better acidity than I remembered from the 2000 bottling.
Wettolsheim as seen from the Rosenberg vineyard. - Pinot Blanc Rosenberg 2002
Drier, leaner and more mineral than the 2001. - Riesling Rosenberg 2002
Lean, dry, mineral and apple driven fruit. Bold, spicy aromatics. Very bright acidity. - Riesling Herrenweg 2002
Herrenweg is a very flat, extremely dry and warm site on the southern end of Turckheim. Richer, more woodsy and piney aromatics (typical of Herrenweg, according to FB) relative to the Rosenberg, along with a broader, rounder mouthfeel. - Riesling Pfleck 2002
Situated in Wettolsheim. Oilier, richer fruit with a dense structure. - Riesling Leimenthal 2001
Huge lemon-lime aromatics followed by citrus, fennel and licorice on the palate. Leimenthal, in Wettolsheim, is an extremely terroir driven site with multiple strata of calcareous soils. - Riesling Grand Cru Steingrubler 2002
Also in Wettolsheim. Round, spicy apricot fruit. Very rich. Ripe for the vintage. - Riesling Grand Cru Hengst 2002
Hengst, located in Wintzenheim at the northern reaches of Barmès’ holdings, is arguably one of the best known of Alsace Grand Cru sites. Of its 60 hectares, Domaine Barmès-Buecher owns one. François had bottled this only one week prior to our visit, based on a specific point of the lunar cycle: “As the moon influences the tides, so the wines….” Very closed and a bit awkward but rich and promising. - Edelzwicker “Sept Grains” 2002
Backing up from tasting notes for a moment, this wine bears some explanation. In a simple sense, it falls under the catch-all term of Edelzwicker, used in Alsace to identify blends that are often made of a little bit of everything a producer grows, nearly always with the unspoken suggestion of leftovers. “Sept Grains,” though, is a wine made not from leftover juice but rather from the free-run fluids which are released by his grapes as they pass along the sorting table on their way into the winery. It’s not uncommon for the skins of fully ripe fruit to be near bursting point at harvest time, so Barmès devised a method, using his sorting table, to capture the fluids that are inevitably released and funnel them to a cuve where fermentation begins naturally. As each picking, of various varieties and from various plots, comes into the winery, this free-run juice is added to the vat. By the end of the process, there is a blend which naturally reflects the conditions of the vintage. Based on the vintage-specific physiological qualities of each variety, one year the wine may be dominated by aromatic varieties, in another the oxidative or mineral grapes may dominate. In any case, FB views this as a non-terroir wine, as there is essentially no pressing or skin contact involved in the winemaking practice.
The 2002 suggested peaches, red berries, white pepper and sappy green wood, along with passion fruit and a hint of sweatiness. In most vintages, the wine is a touch off-dry and makes an easy pairing with aromatic Asian dishes. It’s also not a bad choice for the Thanksgiving table. - Pinot Gris Herrenweg 2002
Spicy and lush, with delicious cinnamon-apple fruit. - Pinot Gris Pfleck 2002
This was Barmès’ first vintage of Pinot Gris from the Pfleck cru. Deep golden in hue with more wood showing on the nose than with the Herrenweg. Honey and sweet orange marmalade in the mouth. - Pinot Gris Rosenberg “Silicis” 2002
So named for the soil base in a particular plot of Rosenberg. Cola nut on the nose, followed by spices and sea air. Rich and slightly off-dry, with a long, long finish. - Pinot Gris Rosenberg “Calcarius” 2001
This cuvee comes from a parcel of calcareous soil within Rosenberg. Botrytis on the nose. Honey, white peaches, flowers and green figs. Fat in texture yet bright in flavor. Seriously tasty. - Pinot Gris Rosenberg “Calcarius” 2002
Less honeyed, spicier than the 2001. Less botrytis showing on the otherwise lovely nose. Hints of vanilla on the palate. - Muscat Ottonel 2002
All lilacs and citrus oil. FB considers Ottonel a much more distinctive vine and wine than Muscat d’Alsace. He also finds it very risky to farm; if the temperature drops below 12°C at flowering, the entire crop is lost. - Gewurztraminer Herrenweg 2002
Heavily herbal and musky. Fuzzy green herbs, thyme and cannabis on the nose. Slightly bitter finish. Not an easy wine yet very interesting in the context of possible food pairings. - Gewurztraminer Rosenberg 2002
Herbal again – oregano and dried herbs. This was the first vintage produced from a plot of young, nine-year-old vines. - Gewurztraminer Wintzenheim 2002
Herbs no more. Quince and white flowers on the nose. A small percentage of botrytis. Fat, ripe orchard fruit flavors led to a long, rich finish. - Gewurztraminer Grand Cru Steingrübler 2002
Lean aromatic and flavor profiles, with a distillate-like nose that reminds me of Pineau des Charentes. Orange confit and caramelized sugar hints. This was previously FB’s least favorite cru though he was, as of 2002, starting to come into a better understanding of this Grand Cru slope in Wettolsheim. - Gewurztraminer Grand Cru Pfersigberg 2002
Pfersigberg is a grand cru of limestone, clay and marl soil situated in the commune of Eguisheim. Powerful and incredibly aromatic, with bright and lively acidity heralding a long finish. - Pinot Gris Rosenberg “Vendange Tardive” 1999
Rich amber color. Intense aromas of butterscotch, crème brulée and a raisined grapiness. On the palate, ripe melon fruit, exotic tea, caraway and rye. 180 grams of residual sugar. M. Barmès felt the bottle was a bit advanced, perhaps due to a slightly faulty cork. - Muscat Ottonel “Sélection Grains Nobles” 2000
99% botrytis. Pure decadence on the nose. Super viscous, drink it with a spoon texture. Dark wildflower honey and citrus confit. - Pinot Gris Rosenberg “Calcarius” Sélection Grains Nobles 2000
Bottled, after a full three years of fermentation, at 6.7% alcohol and a whopping 550 grams of residual sugar. Pure fig conserves. Rich, brooding and earthy with low acid and immense texture. - Riesling “Tradition” 2002 (from vat)
Back upstairs on the winery level, we tasted one last wine, something light and crisp to revive our palates. The Riesling “Tradition” is produced from fruit grown outside any of the crus and is meant to show the general typicity of the region. The 2002 had not yet finished its fermentation. Shutdown by the winter cold, fermentation would start anew with the coming of spring.
François Chidaine: Vigneron à Montlouis et Vouvray, Part One
Date: Fri, Oct 3, 2008 Wine Tasting
From the MFWT archives – December 4, 2007.
Monday, February 23, 2004. After an unusual morning spent in the caves and tasting rooms of Philippe Poniatowski in Vouvray, followed by a modest lunch at a bistro on the edge of town, it was off to the other side of the river. Our afternoon appointment was at the Montlouis domaine of François Chidaine, a serious, stoic and talented wine grower – and the ascending star of both Montlouis-sur-Loire and Vouvray.
From the driveway where we initially met Chidaine, on a tiny road leading up and away from the river, his winery looked like little more than a garage excavated into the hillside. Before venturing in, we took to the cars for a drive up the hill to the plateau above.
François Chidaine’s property consists of approximately 20 hectares of vines, spread along a two kilometer periphery around the village of Montlouis, all set on the hillside and plateau which dominate the valley. He farms his land with a close eye to nature. At the time of our visit, all but two hectares of his vines were being farmed biodynamically. Chidaine, however, insists on making no mention of organics or biodynamics on his bottles. In fact, he’s loath to talk much about biodynamie at all. He farms naturally because he feels it results in a purer expression of the vine and of his terroir. Attracting the organically inclined shopper is not a concern. Customers and importers line up, via a waiting list, to buy his wines, about 50% of which are broadly exported with the other 50% going to the French market.
Given that it was snowing intermittently during our visit and that there was a surprising amount of standing water in the vineyards, François opted not to take us through each and every one of his eight distinct plots. Instead, most of our outdoor time was spent in Le Clos Volgets, an essentially flat climat of argilo-silex soil situated atop the plateau. His vines are trained in the double Guyot method and kept low to the ground to capture reflective heat from the soil below. During the winter months, he keeps a soil cover of vegetation between the rows to protect against run-off, a natural tendency of the erosive soils in Montlouis and one of the primary farming differences relative to neighboring Vouvray. Two weeks after our visit, the soils would be turned to allow the earth to breathe in anticipation of the onset of spring. The fruit from the 45 year-old vines in Volgets goes mostly to his demi-sec, multi-vineyard cuvée Les Tuffeaux.
On the way back to our vehicles, François pointed out both Clos Habert and Clos de Breuil, from which he produces vineyard-designated bottlings, respectively demi-sec and sec in style. Taking a circuitous route across the plateau en route to the winery, he also indicated a new vineyard of four hectares that he had recently purchased and replanted. Atypically rich in clay and dense of soil, this hard-to-farm site was Les Bournais, the source of the eponymous wine first produced by Chidaine from the fruit grown in 2004.
Back at the winery, where we were joined by François’ cousin Nicolas, we found the scene behind the aforementioned garage doors perfectly befitting of Chidaine’s personality – plain stone walls, no nonsense, nothing extra, just barrels and the most basic tools of the trade. All wines are vinified in cask, primarily of 600 liters, with 10% of production fermented and aged in 300 liter barrels. Reflective of his approach to his terroir, fruit from every distinct parcel is vinified separately; blends are assembled in preparation for bottling. Fermentations are very slow, running completely under the steam of natural yeasts. Filtration is used minimally yet rigorously, only between barrel and bottle and only when necessary.
As the barrel segment of our tasting would consist solely of wines from 2003, François prepped us with a bit of info on the local effects of the notoriously hot, dry vintage. Due to the difficult growing conditions, production for the year was only about 40% of the estate’s normal average yields of 35 hl/ha. Harvest, which normally begins in mid-October and continues into November, began in late September and was completed on October 14. The combination of low acidity and high ripeness led to wines that are very concentrated but lacking in maturity of structure. At this point, his plan was to finish all of the wines in the 12 to 12.5% alcohol range, so even the usually dry wines would have some pretty measurable residual sugar. The ripeness levels of the vintage allowed for the production of Sélection de Grains Nobles (SGN) for the first time since 1997 and 1999. His advice for the vintage: drink the 2003s while the 2002s rest in your cellar.
Tasting wines from barrel like this – still fermenting and unassembled – is always an exercise more technical than satisfying. Nonetheless, it can be enlightening as to a producer’s thought processes, vinification techniques and overall approach. It’s also a wonder, down the road, to see how the parts become a more complete whole. The precision of Chidaine’s technique and presentation was matched, more entertainingly, by Nicolas’ spitting abilities. I’m not sure I’ve seen anyone produce a thinner, more precise stream, always on target even when he was standing five feet away from the small spittoon we all shared.
Tasting from barrel:
- 2003 Clos du Breuil
The Clos du Breuil – the name refers to the underground water supply beneath the vineyard – is one of the plots from which Chidaine makes a vineyard specific cru each year. From fruit with 14.2% potential alcohol, this would not finish fermentation for another month. Typical of a wine at this stage, aromas were of yeast, bananas and tropical fruit. Low acid, particularly for this normally pretty brisk cuvée. 4 grams residual sugar. - 2003 Clos Habert
Another of the single vineyard designates, Clos Habert is a plot of 60 year-old vines which gave fruit with 15.5% potential alcohol in 2003. Yields from the three hectare vineyard were only 24 hectoliters (8 hl/ha). The vineyard saw an early bud set, followed by frost then long, dry heat. Rich, sweet, opulent fruit. 30 grams residual sugar, 3 grams acidity. - 2003 Clos Volgets
From the 45 year-old vines in the vineyard we’d visited a short while earlier. It’s fair to say that this hovered stylistically between the Breuil and Habert, with brighter acidity but less RS than in the Habert. - 2003 Les Epirées
Unlinke in Habert, there was no early season frost damage in Epirées, with yields therefore coming in somewhat closer to normal at 24 hl/ha. The fruit from this site normally goes into the cuvées Les Choisilles and Les Tuffeaux. However, as this year’s wine – currently stopped yet not complete in its fermentation – would finish at around 100 grams residual sugar, it was destined for Chidaine’s Montlouis Moelleux. - 2003 Le Lys
This is Chidaine’s special SGN cuvée, produced only in exceptional (or unusual) years. He usually seeks potential alcohol in the 18-20% range for this wine; the 2003 reached 22% and will finish at around 150 grams of residual sugar, the product of 100% botrytis affected fruit. Rich, tropical fruit with intense concentration and length.
Tasting from bottle:
- 2001 Montlouis “Les Choisilles”
2001 was an average vintage with normal yields, giving a wine of slightly lower acidity than in 2002. Nonetheless, there was no shortage of acidity or of balance. Very dry and mineral, with good clarity of fruit and a long finish. - 2002 Vouvray “Les Argiles”
As I’d mentioned in my earlier post about our morning visit with Prince Poniatowski, Chidaine had been farming the land and making the wines at Poniatowski’s estate in Vouvray since 2002. This was his first vintage, therefore, of “Les Argiles,” a cuvée produced primarily from vineyards across the road from Poniatowski’s winery that formerly had gone to Poniatowski’s Vouvray “Clos de l’Avenir.” This showed riper fruit yet was more closed than the 2001 “Les Choisilles,” prompting François to mention that he feels Vouvray gives more masculine wines relative to the more feminine traits of Montlouis. - 2002 Montlouis “Les Choisilles”
Floral, very mineral and extremely tight, with mouth-watering acidity. - 2002 Vouvray “Clos Baudoin”
This needed some oxygen to open up and show its stuff. Chidaine, in fact, recommended decanting the wine and felt that it would develop very nicely in bottle. In spite of finding Poniatowski’s vineyards in a near state of disaster when he arrived in 2002, the breed of the wine showed, with sweet earth and firm, tight structure. - 2002 Montlouis “Clos Habert”
To give a comparative sense of the differences between 2002 and 2003, François told us that the 2002 Habert, usually Chidaine’s richest normal cuvée, was 4 grams drier than the 2003 “Les Tuffeaux,” which is normally the less rich wine. Solid structure and fine acid balance. - 2003 Montlouis “Les Tuffeaux”
Though this actually had higher acidity than the Clos Habert, it felt fatter on the palate due to less integrated sugars. Though less complex than the Habert, it was very ripe and pleasing with pronounced flavors of Asian pear. - 1998 Montlouis “Les Tuffeaux”
François’ first vintage at the head of his estate was 1989. He pronounced the wine of ten years later, the 1998 Tuffeaux, to be classic in his style and to be just opening up. Regrettably, both bottles he opened were corked, the first profoundly. - 1997 Montlouis “Les Tuffeaux”
Rich color. Heady aromas of marmalade and honeycomb, along with some botrytis notes. Spicy on the palate, with fairly low acidity. - 2000 Montlouis “Clos Habert”
Unusual shellfish-like aromas. 2000 was a hard vintage, with lots of rain just before harvest. A faint hint of rot on the palate. - 2002 Vouvray “Le Bouchet”
From a plot with NW exposure, located across the hilltop from the Clos Baudoin. Forward, floral and ever so slightly honeyed, with a hint of wood making itself known. - 2002 Vouvray “Moelleux”
This is the only cuvée produced in 100% new barrel. 50 grams residual sugar. Both the wood and the sugar were showing through; closed and slightly disjointed. Much richer than I remembered from previous bottles tasted in the US. - 2002 Montlouis “Moelleux”
This showed much more exotic fruit than did the Vouvray, with Asian pear, mango, bananas and citrus confit all leaping from the glass. 60 grams residual sugar. - 1996 Montlouis “Moelleux”
Like in 2002, this had great richness along with fine acid balance. This is wine to hold. Tea leaves, savory herbs and lanolin. This is a great expression of Montlouis terroir, with intense silex minerality, even a hint of petrol. Chidaine feels 1996 may have been an even better vintage than 1989. - 1990 Montlouis “Sélection de Grains Nobles”
A low acid year, with good yields and high physiological maturity. Again, seashells on the nose. Still very young, somewhat closed and surprisingly delicate given its richness (100 grams residual sugar).
Tasting complete, it was time to move on. The cousins Chidaine had further plans for us though. Part two of this posting will take us into Montlouis proper for a visit at the Chidaine’s wine shop then back across the river to Vouvray to taste the ‘03s from barrel at the Clos Baudoin. Stay tuned.
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Weingut Emrich Schönleber: Putting Monzingen on the Map
Date: Thu, Oct 2, 2008 Wine Tasting
From the MFWT archives – October 5, 2007.
Weingut Emrich-Schönleber’s viticultural history is fairly recent. It’s under the aegis of the current patriarch, Werner Schönleber, who completed his viticultural studies in 1967, that the estate has slowly but surely risen over the last few decades to the top tier of Nahe wine estates. The early vinicultural history of the estate, however, goes back 250 years on Werner’s mother’s side – the Emrich side – of the family. At the time of my visit at the estate in February 2004, young Frank Schönleber, Werner’s son, was still enrolled in viticulture and oenology programs at the College of Geisenheim. “Junior” has since joined the estate’s farming and wine growing team in a full-fledged capacity, making Emrich-Schönleber a truly multi-generational, family winery.
Not familiar with the Nahe? Aside from the fame of the wines of Dönnhoff and, more recently, of Schönleber, that’s not too surprising. The Nahe is a small river relative to the majestic Rhein and lacks something in luster when compared to the storied history and famous estates of the Mosel-Saar-Ruwer valleys. To oversimplify the path of the river, the Nahe flows “between” the Mosel and the Rhein. It finds its source in the highlands not far to the west-southwest of Monzingen and then follows a serpentine path eastward, turning to the north-northeast near Bad Kreuznach before eventually finding its confluence with the Rhein near the town of Bingen. This puts Monzingen, the home of the Emrich-Schönleber estate, squarely in the upper, outer reaches of the Nahe.
It was the first journey to the Nahe for all of the members of our trip so it was with a mild sense of adventure that we left our morning appointment with Weingut Keller in the Rheinhessen, found Monzingen on the map and pointed our trio of cars in the right direction. An hour or so later, we found ourselves circling the quiet, fairly modern, somewhat suburban looking village of Monzingen, conducting a ritual which would be repeated many times over the course of our trek: looking for the little brown sign which would point us down the correct street to the winery. Finally making our way into the winery’s courtyard, we were greeted by Werner, a tall, athletic and reserved yet friendly man, his silver wave of hair the only clue to his years. After introductions and basic amenities, he led us back to our cars and out to the family’s vineyards.
The Schönleber property comprises roughly 14 hectares (around 33 acres) of vines, all within the village boundaries of Monzingen. More than ten of those hectares – roughly 75% of the overall property – are planted on the steep slopes of the hillsides overlooking the Nahe. That 75% figure is mirrored by the ratio to which the fields are planted to Riesling. Pinot Gris, Pinot Blanc and tiny amounts of Scheurebe and other vines are planted as well, primarily on the flatter ground or in the richer soil bases, as they are considered to give less clear expressions of terroir than Riesling and are therefore deemed less worthy of the best sites. The slopes of the Monzingen hillsides range from 20% to 60% grades. While not as foreboding at first glance as the precipice-like pitches we’d seen at Weingut Ratzenberger the prior day, we were clearly in an arena where only the hard farming, strong and committed wine grower would choose to stake a claim. In fact, my overall impression upon entering the vineyards was that they seemed an amalgam, in the best sense, between the stark, stony slopes of the Mittelrhein and the gentler, sunnier, more fertile hillocks we’d seen that morning in the Rheinhessen.
Prime plots of the Frühlingsplätzchen and Halenberg vineyards, both Großes Gewächs (grand cru) sites, comprise the heart of the Schönleber’s property. Given the quality and clarity we already knew Schönleber’s wines to possess, we were stunned to find fields lying fallow all around their own well maintained parcels. Werner explained that many people, having come into their property through inheritance, have a sentimental attachment to the land which holds them back from selling. Yet they are not willing to undertake the work necessary to form them, to farm them, into the quality vineyards they could be. Understandable I suppose, but a crying shame. To the good though, it has given Werner and his family the slow but sure opportunity to add to their property over the years as some of those sentimental hold-outs have chosen to capitalize on their deeds. Werner speaks of Riesling with deep respect. He calls it a “hunger artist.” And at each step, the estate has focused its growth toward the best overall capacity for expression of that artistry by focusing their growth only on the choicest sites and steepest slopes.
The westernmost of the two great Monzingen vineyards is Frühlingsplätzchen, which means “a nice little place in Spring,” thus coined by the Romans who first planted vines there when they found the snow to disappear from its spot on the hill earlier than in the surrounding area. The earth here is decidedly red, a hue emanating both from a streak of red slate and from a substantial quantity of red loam overlying an otherwise rocky, quartzite soil base. It produces wines of fairly full, rounded body, marked by intense citrus fruit hints and a suggestion of mineral spiciness.
To the east of town, the smaller Halenberg rests on steep, rounded hills of very gravelly, sandy soil with a prominent vein of blue Devonian slate and very low loam content. The earth drains quickly here and the sun shines brightly, especially on the upper slopes, resulting in dry growing conditions that produce small berried clusters of Riesling. The wines tend to be more intensely aromatic and steely than those from Frühlingsplätzchen, at once more delicate yet also more brooding.
As we walked through the vineyards with Werner that afternoon, we’d intermittently seen a young woman out for a walk with her Rottweiler. I couldn’t imagine many prettier, more pacific spots to take the pup out for some exercise. Much to everyone’s chagrin, as we headed back to the cars for our return to the winery I somehow managed to find a way to take a little of that dog back with me. It took a hose in the courtyard garden to get the last of the fuchsia colored Rottweiler poop off my shoe. What the heck do they feed dogs in the Nahe?
Back at the winery, clean-up duties completed, Werner led us to his cellars for the start of what would be one of the most intense tasting sessions of the trip. Luckily, Riesling results in palate fatigue much less quickly than most other wines.
Situated underground, Schönleber’s winemaking caves are modern, clean, simple and totally no-nonsense. Just a couple of naturally cold, humid, stone-cut rooms with tanks and casks of varying sizes, in-floor drainage to allow for regular cleanings, some simple fining and filtration equipment and the basic paraphernalia required for the job; nothing more.
Tasting from vat and cask in the cellar:
- 2003 Monzinger Halenberg Riesling
Produced from fruit grown on the lower slopes of the Halenberg vineyard, picked at Spätlese ripeness but will be finished and marketed as a Kabinett. Delicate palate, with steely minerality and tingly grapefruit accents. Acidity was about 1g lower than usual, a side effect of the warm year, but still seemed sufficient to give balance and typicity. - 2003 Monzinger Halenberg Riesling Spätlese trocken
Pulled from oak cask. Finished two days prior to our visit. This showed ripe fruit, very deep mineral tones and a creamy texture. - 2003 Monzinger Riesling QbA halbtrocken
Grassy on the nose, fuller bodied than in more typical years, slightly tart acidity. Fermentation and aging in steel only. Werner felt that the grassy character was unique to this single cask, most likely a characteristic given by the native yeasts specific to this tank. About 60-70% of his fermentations are run with native yeasts only. - 2003 Monzinger Frühlingsplätzchen Riesling Kabinett halbtrocken
Vibrant and lively fruit on the palate, with good body, even a bit of muscle, accompanied by greater elegance than present in the QbA halbtrocken. - 2003 Monzinger Frühlingsplätzchen Riesling Kabinett
Already very integrated; due for bottling in March. At 11.5 – 12%, it is quite high in alcohol for a Kabinett yet the purity of its fruit, along with lower than typical but still sufficient acidity, kept it balanced. - 2003 Monzinger Halenberg Riesling Spätlese
Werner combined separate samples from two vats, destined to be blended before finishing. In Werner’s own words, one was “too sweet,” the other half-dry. Peaches and cream from beginning to end, with a correspondingly creamy texture. - 2003 Monzinger Halenberg Riesling Auslese
Atypically, this vat came from a parcel harvested on November 13 on the lower slopes of Halenberg; the estate’s Auslesen usually come from the mid and upper slopes. Most likely to be combined with a vat of greater richness from the upper slopes. Tasted of celery, sweet green grapes and grapefruit pith. - 2003 Monzinger Frühlingsplätzchen Riesling Beerenauslese
Eventually to be bottled as Auslese Goldkapsel. Ultra-ripe, no botrytis. Very elegant and creamy with pure, intensely concentrated fruit. - 2003 Monzinger Halenberg Riesling Beerenauslese
Pulled from vat, still on the yeast. More muscular than the Frühlingsplätzchen BA. Raisin, honey and super ripe grapefruit tones, accompanied by a delicate trace of botrytis. Brooding. Very closed.
Back upstairs, we settled in for another tasting session in the winery’s visitor room and learned just a bit more about the current practices at the property. For those that still insist most German wine is sweet, think again. 50-55% of the estate’s production is of trocken wine; 15-20% halbtrocken; with only 25-35% in any given year being finished in “fruity” or nobly sweet styles spanning the entire range from Kabinett through TBA and Eiswein.
Tasting from bottle:
- 2002 Monzinger Riesling QbA halbtrocken
Showing drier than when last tasted, with well integrated fruit and forward minerality. A trace of spritziness shows on the palate. Werner explained that this sometimes occurs naturally as a product of a very slow, cool fermentation, particularly given that he used only one pumping to remove the wine from its natural yeasts. Some carbon dioxide remains in the wine, whereas it would all have dissipated as gas in a warmer cellar. - 2002 Monzinger Halenberg Riesling Spätlese halbtrocken
Fermentation and aging in old wooden casks, the notes of which show only in the wine’s youth. Broadly textured and intensely persistent. Werner recommends holding for 3-5 years and then drinking over the course of the next two to three decades. - 2002 Monzinger Frühlingsplätzchen Riesling Spätlese
Vibrant acidity, lively, pure yellow grapefruit scents. Excellent food wine. - 2002 Monzinger Halenberg Riesling Spätlese
From a plot of light, slatey soil. Very high-toned aromatics. Raisined fruit and a very clean hint of botrytis. Some of the fruit was harvested at Auslese ripeness levels. - 2002 Monzinger Frühlingsplätzchen Riesling Spätlese “Rutsch”
Rutsch is a family name for the steepest parcel of the Frühlingsplätzchen vineyard; the slope’s motto is, “Three steps up, two steps back.” Very high acidity, wonderful structure. The finish lingered for minutes.
After pouring the above three Auslesen, Werner informed us that they’d been opened the previous Saturday, six days prior to our tasting. They were still singing, showing no signs of oxidation or open bottle fatigue. - 2002 Monzinger Halenberg Riesling Auslese
Late harvest qualities showing through with a little hint of botrytis. Mango, exotic fruit and loads of peach and very ripe grapefruit. Decadent. - 1992 Monzinger Halenberg Riesling Auslese
Deep golden yet simultaneously bright in the glass. Petrol character emerging on the nose. Produced from what, at the time, were only four year old vines, bringing a lightness of body to the wine. At 11% alcohol, this was produced in a style that Werner called “classic,” a style which he preferred at the time though he’s since moved to a 9-10% range for most of the estate’s Auslesen. The truly “new style,” he stated, is for wines at an even lower 7-8% range. - 2000 Monzinger Halenberg Riesling Auslese Goldkapsel
Menthol, lavender, quince and wildflowers on the nose. Evidence of good but, in Werner’s words, “not perfectly fine” botrytis. At once rich, delicate and finessed. Proof of great work in the vineyards and the cellar in a rainy, difficult vintage. Only 300 liters produced. From my own notes, “Awesome,” not a word I use with any frequency. One of the most memorable wines of the entire trip. - 1998 Monzinger Halenberg Riesling Eiswein
Harvested from the lower slopes of Halenberg, the coldest spot of the slope due to diminished sun exposure. Intensely confectionery, rich fruit, confit, preserves. No botrytis. Grapey and cleansing acidity (15g). Like liquid candy. Decadent. - 2002 Monzinger Halenberg Riesling Eiswein
50% raisined fruit, pegged at BA ripeness levels one day before harvest, followed by a frost which concentrated both the acidity and richness of the wine. Much more unctuous in texture than the ’98, with a musky, floral nose and scintillating acidity.
It was only as we moved through his wines in the tasting room that I sensed that Werner fully began to relax and let down his guard as he saw our expressions unfold after each subsequent pour. Seemingly at peace with the accolades he has received – Gault Millau called his 2004 wines the collection of the year and awarded Werner their Vintner of the Year award in 2006 – Werner is also clearly resolved not to rest on his laurels. He considers wine growing to be an ongoing education and is clearly happy to now have Frank joining him in the work to come. I look very much forward to their continuing success.
Le Tour de Cognac, Stage One
Date: Wed, Oct 1, 2008 Wine Tasting
From the MFWT archives – August 4, 2007.
The 94th edition of the Tour de France came to an end last weekend, its loop finishing, as always, with a grand procession into Paris for a final few laps round the Champs d’Elysées. This year’s race marked both the emergence of some bright new talent and the near submergence of the race in the face of yet more news of doping and scandal at the sport’s highest levels. Whether or not you care for the competitive aspects of the race, one can’t help but appreciate the beauty of the ritual and the beauty of the landscape through which it passes. As any circuit of France which does not limit itself to the extreme North must, Le Tour inexorably passes through – or at least by – many parts of French wine country. As this year’s penultimate stage, the final deciding time trial, began in the town of Cognac, I found myself inspired to go back to the archives and write up an afternoon I spent in Juillac-le-Coq, a town located in the heart of the Grande Champagne district of Cognac, in February 2004.
Pulling into the courtyard of Domaine de la Pouyade late in the afternoon, the winter sun already in decline after unexpected delays at the lunch table and on the autoroute, we were a bit afraid we’d missed our appointment. The imposing chateau and outbuildings were eerily quiet. Finally, a pair of shaggy dogs bound toward us, followed shortly thereafter by the son of the estate’s current patriarch, Pascal Fillioux. Pascal himself was not far behind. I would be remiss in not mentioning that this was a wine biz trip; our stop in Cognac was not only an added little bonus, it also put us all on a very steep learning curve.
Distillation
Our education commenced posthaste, as M. Fillioux led us through a quick tour of the estate’s distillation facilities. We learned that the onion-like shapes sprouting from the copper pot stills in the distillery are distinct to the better areas of Cognac – Grande Champagne and Petit Champagne – and are designed to extract a greater sense of terroir than are the olive shaped heads used in the outlying Fins and Bons Bois. Cognac always goes through two distillations. The first produces an end liquid of around 28-30% alcohol called the brouillis. During the second fermentation, a typical batch of 10 hectoliters is typically divided into three parts. The first hectoliter or so is the head, the last hectoliter the tail, in between is the coeur, the heart of the Cognac which will go on to the barrel aging caves. At la Pouyade, the head and tail are reused; one part is mixed with the wine for the primary distillation of the next batch, the other part is mixed with the brouillis prior to the secondary distillation. At the end of the second distillation – this must be completed by the end of March in the year following the harvest – the new Cognac averages 70% alcohol. The Vineyards
The Fillioux family farms 25 hectares of estate based vineyards, located completely within the Premier Cru of Grande Champagne (there is no Grand Cru classification in the region). The fields are planted overwhelmingly to Ugni Blanc, which makes up 100% of the base wines used for distillation, supplemented by a small quantity of red Bordeaux varieties for the production of their Pineau des Charentes Rosé. Vineyard management in Grande Champagne runs contrary, in many ways, to the techniques and measures typical in quality wine growing areas. The primary objective is to grow healthy fruit that will produce a wine of high acidity and complex aromas. Alcohol and body are not sought. Fruit is typically harvested at a ripeness level of only 9% potential alcohol. To help accomplish these goals, yields are kept high – at around 70 hl/ha – by quality wine growing standards. As Cognac regulations allow for yields of up to 120 hl/ha, Fillioux’s yields are actually low relative to the region’s standards. The yields are thus high enough to avoid surpassing the desired degree of ripeness but low enough to allow the terroir of the estate’s dry, rocky and chalky soils to be present in the base wines and in the finished Cognacs.
The Chais
As we moved on to Pascal’s chais, the barrel aging rooms of the estate, I was struck with the same feeling I’d experienced earlier in the distillery. There was no ostentation, nothing overly shiny, nothing done to impress. But in all elements, I sensed cleanliness, importance of function and a tight organization. It is in the chais where the organizational control of Fillioux becomes most important, for all of his estate Cognacs start from the same base wine and the same base coeur. It is only through aging and blending that the differences are crafted from one cuvée to the next. Initial decisions regarding the type and age of barrel to be used will push each lot in the direction of a particular end point. M. Fillioux feels that the use of new oak, while giving dark, rapid coloration, is appropriate only for styles meant for long-term aging, as it takes at lest 15 years for the flavors imparted by the new barrels to move beyond, as he put it, “bad wood tastes.” He favors Limousin barrels but also includes about 10% of Troncais barrels in the overall mix as they can provide complexity in the final blend. To facilitate the overall needs of the estate, he purchases a mix each year of new barrels and once passed barrels and operates in five separate chais, each geared to a particular stylistic niche or likely aging regime. It is not uncommon for a barrel to be moved up or down the line as Pascal assesses its qualitative development over the years.
That daunting 15 year oak integration period started to sound like nothing when Pascal informed us that in a medium humidity cellar it takes 50-60 years in barrel for a Cognac to naturally reach the typical finished alcohol level of 40%. The evaporation rate of Cognac stored in barrels runs at approximately 5% per year, with 6% being the maximum allowed. To compensate for this evaporation, sometimes called the “angel’s share,” distilled water is added on an annual basis to top up the barrels. It is a delicate, time sensitive process, as adding too much liquid at a time can raise the temperature and speed of the chemical reactions caused by dilution and rob the end product of aromatic complexity. When the time for bottling arrives, reverse osmosis separated (as opposed to distilled) water is added to the spirit to bring the alcohol to the desired end level. What does this all mean? Among other things, older Cognacs will tend to have darker colors, richer textures and more evolved flavor components than their younger siblings, side effects both of longer periods spent in barrel and a lower proportion of dilution necessary during the final blending or bottling. Pascal was adamant, though, that older does not automatically mean better.
It is during the barrel aging period that the natural magic which results in the slow transformation of harsh young distillate to mellow old Cognac takes place. The real artistry, though, comes later. Pascal took the head position at the family estate upon the retirement of his father Jean (whose name still graces their bottles) not just because he was the next male in line but also because he had “the nose.” The ability literally to nose Cognac, to detect the subtle shades of its aromatic spectrum as well as any apparent flaws, is all important to the management of the aging process in the chais and ultimately to the final blending process. As interesting as vintage dated spirits Cognacs can be, it is in the blending of multiple barrels and multiple years that the best overall balance and qualities can emerge. Pascal was and remains the man for the job.
[Note to readers: This is a long one, folks. Stay tuned for Stage Two.]
The Chinons of Charles Joguet
Date: Tue, Sep 30, 2008 Wine Tasting
From the MFWT archives – July 3, 2007.
One of the fringe benefits of teaching classes at Tria Fermentation School is the occasional invitation to sit in as an observer at one of their other sessions. This past Wednesday, I had the pleasure of attending a seminar featuring the Chinons of Domaine Charles Joguet. The course was presented by François-Xavier (FX) Barc, winemaker and estate manager at Joguet. Leading up to M. Barc’s program were introductions from Michael McCaulley, Tria partner and Fermentation School Manager, and Matt Cain, regional sales representative for Kermit Lynch, the importer responsible for bringing Joguet’s Chinons into the US market.
FX opened with a cursory overview of the wine traditions of the Loire, beginning from the river’s mouth in Muscadet, running through Anjou and Saumur, leading to the Touraine and ending, from his perspective, in the area around Sancerre. Returning, of course, to the Touraine village of Chinon, he covered a brief description of the major terroirs of Chinon, from the riverside vineyards to the plateau and hillside plantings. Domaine Joguet itself is located in Sazilly, on the South banks of the Vienne, essentially across the river from Chinon’s largest commune of Cravant-les-Coteaux and ESE of the fortress of Chinon itself. With forty hectares under vine – thirty-seven hectares planted to Cabernet Franc, three to Chenin – the estate annually produces seven or eight different cuvées, each representative of a particular style, terroir or single vineyard site.
Francois-Xavier’s first experience at Joguet was as vineyard manager and assistant winemaker from 1998-2000. After a brief stint at other wineries, he returned in 2003, at the request of current owner Jacques Genet, to become the estate’s head winemaker and viticulturist. His rise was capped earlier this year when his role was expanded, upon the retirement of Alain Delaunay, to include managing the commercial aspects of the business. Since his return, FX has carried on with the already established project of moving the property’s vineyards to organic farming practices. Currently, about 50% of the estate is farmed organically with incremental portions being converted to organics each year. He is adamant about carrying the organic practices into the winery as well, seeing little value in natural farming followed by chemical adjustments in the cellar. The young Monsieur Barc is judicious in the use of oak and with stylistic flourishes in general, preferring to let the nuances of each cuvée in each vintage guide his hand with decisions in the cellar.
Winding down with his technical discussions, and as he could see people in the audience beginning to salivate, FX finally moved onto the tasting portion of the seminar.
Chinon “Les Petites Roches,” Charles Joguet 2004
From a typical, elegant vintage, the 2004 Petites Roches showed a bright, transparent ruby tone in the glass, followed by a gentle, medium-bodied approach on the palate. Red currant, raspberry and herbaceous tones followed through on a modest 12.5% alcohol framework. From 30-40 year old vines, culled to 40 hl/ha yields, from six hectares of vineyards planted on gravel and limestone dominated soils near the banks of the Vienne. Made from free-run juice only, this is the most delicate wine produced at Joguet; it is suitable for near-term drinking with charcuterie, chevre and salmon.
Chinon “Les Petites Roches,” Charles Joguet 2005
Much darker in the glass than the 2004, semi-opaque and dark cherry red in color, the 2005 visually showed the effects of a warmer, drier vintage. The generous climate in 2005, combined with a long growing season, yielded more physiologically mature tannins, riper flavor, higher alcohol (13.8%) and a finished wine that will continue to develop over the next 4-5 years. Again, pair with charcuterie or classic Touraine pork rillettes but also consider herb roasted chicken or small game birds.
Chinon “Cuvée Terroir,” Charles Joguet 2005
Terroir is the basic cuvée of the estate, a young vine wine that blends 70% first run juice from fruit grown mostly on sandy soils spread over 10 hectares of the estate with 30% of vin de presse, juice pressed from the grapes from both the Cuvée Terroir and Les Petites Roches. Clocking in at 14.3 degrees, it is more robust than Petites Roches yet less nuanced, showing bolder, forward fruit and more aggressive tannins and herbaceous flavors – natural side-effects of the utilization of pressed juice.
Chinon “Cuvée de la Cure,” Charles Joguet 2005
Bottled in August 2006 following vinification and aging purely in steel, the 2005 Cuvée de la Cure is the first fully organic wine produced at Joguet. It is also a classic example of older-vine, terroir driven Chinon, coming from two single vineyards planted on a soil base of clay and gravel. Displaying a dense, firm structure built on a medium-bodied frame with very linear, pure focus, the wine’s persistent, dusty tannins lend accent to its mineral and red cassis driven flavors. This should keep well for at least 5-7 years, maybe even ten. FX considers it the finest La Cure of the last three decades.
Chinon “Les Varennes du Grand Clos,” Charles Joguet 2005
The big wine of the night, Les Varennes du Grand Clos sees a longer, hotter alcoholic fermentation than the previous cuvées and is the only wine of the evening to see malolactic fermentation and aging, at least partially, in barrels. Pigeage during fermentation added extra density to the wine’s color and structure. The finished product, bottled in March of this year, shows plush texture combined with muscular grip and sweet-fruited flavors of raspberry, blackberry and licorice. This is Chinon to pair with beef or robust stews… or to forget about in a cool cellar for the next 10-15 years.
Chinon “Clos de la Dioterie,” Charles Joguet 1989
If you’ve ever had any doubts about the longevity of Chinon, lay them to rest. At 18 years of age, the ’89 Dioterie is still singing. In the glass, there was no bricking at all, just a pale, limpid ring around the rim of an otherwise translucent ruby bowl. Aromas of clay, red earth and rhubarb were followed by flavors of tobacco, smoke, violets and lilies. These elements combined with silky mouthfeel and still lively acidity to make this the most enthralling wine of the night. No offense to FX of course – he wasn’t involved in the production of this wine – it’s just that every once in a while the beauty and wisdom of age really do outshine the exuberance of youth. Apparently, FX thought so too, as he pronounced it “da bomb.” We were, I might add, privileged that he had brought the ’89 along for the event, as there are only about 20 bottles remaining in the private storage caves at the estate.
FX Barc represents the new generation of vignerons in France. Not born to farming, he is more student, technician, and consultant. Yet he possesses a strong sensibility for the land and expresses it carefully through natural winemaking. Luck has been on his side since taking the helm at Joguet. A string of good vintages, culminating in the exceptional 2005, have brought Mother Nature to his side. The results are promising. I found the wines we tasted together at Tria Fermentation School to be bright, varietally correct and truly expressive of the spirit of Chinon as an AOC and of the potential of Cabernet Franc as a vine. FX seems to be bringing Joguet’s wines out of their slump of the mid-90’s and back to their place among the top tier in Chinon. I’ll look forward to keeping an eye on his progress in the seasons to come.
Recommended reading:
Grower Champagne: Diebolt-Vallois
Date: Mon, Sep 29, 2008 Wine Tasting
From the MFWT archives – June 6, 2007.
When people ask me for a Champagne recommendation, unless I know there’s a food pairing in the works I usually start by asking what they like. 75% of the time – conservatively – I know the answer before a lip’s been parted: Veuve Clicquot. The ubiquity of the yellow label is mind blowing. What accounts for this pervasive popularity? Huge annual production allows the wine to be placed on nearly every liquor store shelf and restaurant wine list in the world. Big budget advertising and marketing dollars place the brand in lifestyle magazines, food and wine publications, blockbuster movies, and in the hands of celebrity chefs on the Food Network. The point of all this is not to debate the historical significance of the Maison Veuve Clicquot-Ponsardin. Rather, it is to put into context the fact that Veuve’s “Carte Jaune” NV tells us as much about Champagne as Kendall Jackson “Vintner’s Reserve” Chardonnay tells us about California wine. Both brands are successful, both appeal to a broad audience, both are made from juice and fruit purchased from vineyards spread over all corners of their respective regions and both offer a touch of sweetness in the guise of sophisticated, dry wines. Both also lack any real sense of individuality, of character, of place.
To get a meaningful sense of Champagne, it is necessary to understand it as a place, not just a beverage. For Champagne, like California albeit on a much smaller scale, is a region of diverse geography, climate, soil, history and culture. A strong common thread exists but it is the differences that make the place and its products truly significant. To get a real sense of Champagne, it is necessary to explore the wines of the small growers.
One of my long time favorite Récoltant-Manipulant (grower-producer, RM for short) Champagne houses is Diebolt-Vallois. Based in the village of Cramant, just south of Epernay, Jacques Diebolt’s family has been producing expressive, elegant, small farm Champagnes for generations. I visited Diebolt-Vallois on a cold, rainy day in February 2004. It’s a shame when the weather prevents a walk through the vineyards; sometimes, though, one can learn more about the true heart and soul of a wine by traveling underground. Upon descending into the bottle storage cellars, excavated in 1880 in the earth below Diebolt’s pressing facility, we discovered not only some beautiful old bottles of Champagne – more on them later – but also what made those wines so expressive. We were able, literally, to see, feel, smell and taste the chalky soil of Cramant.
Most of Diebolt-Vallois’ ten hectares of vineyards are located in Cuis and Cramant, respectively premier and grand cru rated vineyard areas situated on a chalk dominated geographical outcropping called the Côtes des Blancs. If you own land on the Côtes des Blancs, you grow only one thing: Chardonnay. To plant anything else there would be folly. The chalk-rich soil is perfect for Chardonnay and, by natural extension, for the production of Blanc de Blancs – Champagnes made purely from white fruit, the specialty of the house at Diebolt-Vallois.
Like at the big Champagne houses, the non-vintage cuvées at Diebolt are made according to a house style. Consistency of flavor is sought from year to year, from bottling to bottling, making the job of the master blender – Jacques himself in this case – of utmost importance. Unlike at the big houses though, small grower wines also taste of their place. The green label Blanc de Blancs of Diebolt-Vallois, produced primarily from fruit grown in Cuis, is redolent of the Côtes des Blancs, full of fine, green apple fruit, chalky minerality and elegant focus.
The depth of character and texture that the Méthode Champenoise can add to this sense of place is made evident when tasting the estate’s special non-vintage bottling. Cuvée Prestige Blanc de Blancs is an assemblage of three consecutive vintages, the quality of each year allowing. The base wines, from old vine fruit grown entirely in Cramant, spend two years in foudres (4000 liter, 50 year-old oak casks), vessels favored by Jacques for the subtleness and complexity they impart relative to the more modern tendency toward aging in steel tanks. After blending and secondary fermentation, the Prestige spends three years on its lees before disgorgement. This period, about twice as long as for the regular non-vintage cuvée, lends the Prestige a greater degree of richness, power, toastiness and nuttiness.
The real pride of the maison is their tête de cuvée, the vintage Fleur de Passion. Made only in the best years, Fleur de Passion is a selection of the oldest vine fruit from the estate’s vineyards in Cramant. Currently, it sees five years of sur-lie aging before disgorgement. Jacques’ goal is to increase this time to seven or eight years as the estate matures. Over lunch with three generations of the Diebolt and Vallois families, we had the pleasure of experiencing what one of the best wines of the Côtes des Blancs can offer.
- 1999 Fleur de Passion
Displaying an easy, soft, broad character, this vintage was already drinking well. It showed glorious fruit, with ripe flavors of melon, pear and apple. - 1998 Fleur de Passion (from magnum)
Leaner, more tightly wound and less opulent than the 1999. At the same time, it was more exotic in its tones of fruits and spice, was slightly yeastier, finer and brighter in its acidity. - 1985 Fleur de Passion
Jacques considers 1985 one of his finest vintages. The wine showed a nose of brioche, fresh hazelnuts and flowers. A bouquet suggesting the early stages of maturity was evident but freshness was still abundant on the palate. Perhaps imagination takes too many liberties but I could clearly smell the chalky soil, just like in the caves, among the wine’s aromas. - 1976 Fleur de Passion
This hailed from the era of Jacques’ father. Though not possessing as much breed as the 1985, the 1976 Fleur was still very fresh, deeply nutty on the nose, dancing on the palate with complexity and lively acidity.
After our repast, as if we needed further convincing as to the beauty and longevity of his wines, Jacques led us back down to his family’s bottle storage caves. There he opened for us not one, not two, but three bottles of his grandfather’s production of 1953 vintage Champagne. Earlier in the day, M. Diebolt had expressed that, in his experience, the benefits of sur-lie aging tend to end at around eight years, after which disgorgement is usually best. These chalk-dust covered bottles of 1953 Champagne, though, were still on their lees, resting in cork-and-clamp finished (not crown sealed) bottles. He opened and disgorged these bottles – living wines – on the spot. Like 50 year-old identical triplets who no longer look or sound exactly alike, no two bottles were the same.
The first bottle Jacques deemed not bad, not great. It was redolent of earth, leaves, mushrooms and toasted hazelnuts. He readily admitted that he’ll sometimes open several bottles before finding a really good one. He hit with bottle two. Fresher and lighter in color, it smelled of forest in the spring, tasted of stones, showed vibrant acidity and finished forever. 1953, he tells us, was a good but not great year, not like 1955, 1959 or 1961…. Still on the hunt for that elusive something special, Jacques disgorged the third bottle. Very similar to but not better than the others, this was less petillant, more oily and nutty on the palate and slightly more evolved. Just as with the other aspects of our visit that day, we learned something from all three. And all three were a true pleasure.
When selecting a grower Champagne – or any wine – it’s always best to know the producer. In the absence of foreknowledge or a helpful wine salesperson, there’s an easy if somewhat arcane way of determining the difference between grower and merchant Champagnes. A small set of letters and numbers on the label of every bottle of Champagne holds the key to the origins of what’s in the bottle. Ignoring the numbers and focusing on the letters, look for “RM.” It’s a sure sign that the wine has been made by the person who grows the fruit and owns the vineyards. Wines produced by large merchant houses will typically be labeled “NM” (Négociant-Manipulant).
As of 2004, Diebolt-Vallois has dipped a toe into the NM end of the business and their wines are now labeled accordingly. Good vineyard land in Cramant, on today’s market, is difficult to come by and prohibitively expensive, effectively keeping the Diebolt’s from adding to their ten hectare estate. Following the hot, low production 2003 growing season, and in the face of ever increasing demand from their loyal customers, M. Diebolt applied for a négociant license which now allows him, if he so chooses, to buy in up to ten percent of his overall fruit. Here’s where knowing your producer, or trusting in someone who does, becomes key. Jacques assured us that if he does purchase fruit, it will be only from talented growers with whom he has a strong relationship and whose vineyards are situated in Cramant. The goal is not to make more Champagne just to satisfy the market. It is to maintain the current and historical expression and quality of the wines of his estate while allowing his family to eke out a comfortable yet modest living from the production of their tiny property. The goal is to grow great Champagne, backed up by an economically rational insurance plan.
Recommended reading:
Napa: A Day of Contrasts, Part Two
Date: Sun, Sep 28, 2008 Wine Tasting
From the MFWT archives – May 17, 2007.
Afternoon session – Stony Hill Vineyard:
Following our morning visit at Oakville’s Harlan Estate and a reasonably tasty yet uncharacterful lunch at St. Helena fossil Tra Vigne, we headed up the valley for our afternoon appointment. Character abounds, we would find, at Stony Hill Vineyard. Heading north out of St. Helena, turning left up the access road for Bale Grist Mill State Park and then left again onto the private road which leads to the winery, we quickly found ourselves in an atmosphere that would have provided fodder for the tales of Poe or Tolkien. A forest of small, gnarled trees – dark red bark mottled by lichen, limbs intermittently draped with a local moss – lends an eerie aura to the narrow dirt road that winds its way up the mountainside.
Making the last sharp turn up the incline and crunching to a stop in the gravel parking area at Stony Hill, we were greeted first by an enthusiastic little wire-haired terrier and then, our presence announced, by office and site manager, Mary Burklow. After a round of introductions, Mary led us on a path along the ridge of the hill, straight through the vineyards and directly into the estate’s tiny winery building. As soon as she thrust the door open, a blast of cold, damp air rushed out to meet us. Welcome to Stony Hill’s barrel room…. With little ado, Mary pulled a barrel sample, poured us each a splash from the pipette and asked us to guess. Knowing that they produce one of Napa’s few Tocai Friulano (from old-vine fruit grown at neighboring Larkmead Vineyards), and sensing a faint floral, peachy hint lurking behind the yeasty aromas of fermentation, I guessed – and was wrong. It was their 2006 Gewurztraminer, light, bone dry and misleadingly crisp and un-spicy.
Five or six barrel samples later, we’d learned a bit about Stony Hill’s winemaking practices. The barrels themselves first jumped to attention. In stark contrast to the uniform ranks of gleaming new cooperage at Harlan, many of the casks here, bowing and graying though still obviously airtight, showed signs of serious age. Mary explained that the barrels, mostly barriques with some larger casks and tonneaux, are anywhere from 14-50 years old. That’s right, 50, almost as old as the winery itself. Kept sanitary from year-to-year, these relics go right on doing their work, providing a neutral environment for Stony Hill’s backward wines to come to life. New barrels are introduced only when a member of the older generation finally gives up the ghost.
Fruit is bladder pressed, the juice settled and then inoculated. Primary fermentations are carried out in wood in most cases, followed by a racking off the lees. Their Riesling is fermented and aged half in steel, half in barrel and then blended prior to bottling. The Gewurztraminer and Tocai are barrel aged until April following the harvest; Chardonnay and Semillon stay in wood until June. Malolactic fermentation is avoided for all wines, a practice necessitating a wee bit of sulfur but kept relatively natural by the incredibly cool cellar conditions. In their own words, “Malolactic fermentation both destroys the acid structure of the wine and introduces extraneous flavors not borne from the grape itself.” Given this admirably stoic approach, I was a bit surprised that primary fermentations are not left up to the wild yeasts; Mary explained that native yeasts do play a role but are often not strong enough to ensure a complete, steady fermentation.
Since 1973, Stony Hill’s wines have been made by Mike Chelini, who originally joined as vineyard foreman and was quickly promoted to winemaker. Mike’s approach is as old-school as I’ve come across just about anywhere, much less in the heartland of ultra-modern California wine country. The wines are grown naturally in the vineyard and brought to life in the cellar. They speak of both. The concept of terroir at Stony Hill clearly reflects not just the hillside environment but also the feel, taste and smell of their old, stone barrel room, a trait that reminds me very much of a past visit to the caves of Prince Philippe Poniatowski in Vouvray. Like there, the wines are meant to taste of the place and they’re built to last.
If it hasn’t already become obvious, Stony Hill is one of the few estates in the Napa Valley that rests its reputation solely on the production of white wine. They’ve been at it since 1947, when original owners Fred and Eleanor McCrea planted Chardonnay in homage to the great whites of Burgundy. At the time, only 200 acres of Chardonnay were planted in the entire state of California but the McCrea’s sensed that their little kingdom, perched on the hillside 400-800 feet above the valley floor, was a special place. Their commitment to the potential of Napa Chardonnay remains today, as it represents over 75% of their overall vineyard area of 39 acres. The balance of their land is planted to Riesling (10 acres) with Gewurztraminer and Semillon rounding things out at three and one acre, respectively.
The only wines of color produced come from a small plot of Cabernet Sauvignon and Merlot – planted as a pest control device along a property line bordering on a stream – and from a ¼ acre plot of Syrah planted only five years ago as part of the family garden. At present, all 100 or so cases – two reds and one rosé – are destined for staff consumption and entertainment only; not a bottle of any is sold. Current owner Peter McCrea, son of Fred and Eleanor, described the rosé – a saignée of the Cab/Merlot blend – as “swimming pool wine.” Mary more colorfully called it a classic PD wine. If you’re scratching your head like I was, “PD” is code for panty dropper…. Peter confirms that the estate does not plan to market anything other than whites in the future.
Coincidentally, as at Harlan, annual production at Stony Hill runs around 3,000 cases. And nearly all of the wine is sold directly to mailing list customers, with just a small percentage going to local restaurants and to a few detail-minded distributors in key urban markets. With a 60-year history though, Stony Hill Vineyard is one of Napa Valley’s pioneering estates. And their wines top out at $35 per bottle.
Stony Hill Chardonnays and Rieslings have earned a reputation as being among the most age-worthy dry whites produced in the Napa Valley. Thinking back to those barrel samples pulled for us by Mary, even the 2006 Gewurztraminer and Tocai, wines meant for early enjoyment, showed uncommon structure. Still in steel, the Riesling was too impenetrable to assess. The 2006 Chardonnay, however, held serious promise. It smelled a little of cellar must on the nose but, loaded with stony minerality and vibrant acidity, hinted at a long future.
Back in the McCrea’s dining room toward the end of our visit, tasting the current releases of Stony Hill Chardonnay from bottle reinforced our earlier impressions and spoke volumes about good work in the vineyard. The 2003 Chardonnay, product of a drought year in this part of St. Helena, was atypically rich and fleshy for Stony Hill yet still tasted young, fresh and clean. The 2004, though, really spoke to the potential for these wines. Tight on the nose, very Chablis-like in its aromas, bright, racy and steely on the palate, it’s a wine I’d love to drink in another ten or even twenty years.
That was just about it for our visit. We followed Mary down the grade to the bottle storage barn to pick up the handful of ’03 and ’04 Chardonnay we’d purchased. As I packaged the bottles for a safe ride back East in the airline baggage compartment, Mary disappeared for a moment. Upon her return, she handed us a bottle of their White Riesling, vintage 1992, and made us promise to have it with dinner when we got back to Monterey that night. Paired with a simple plate of sautéed snapper and roasted Jerusalem artichokes, it was a delicious reminder of our visit – hinting at the mellowed edges and mineral tones that come with age, tasting very much alive and finishing with a touch of sweetness.
Recommended reading:
Off to the Beach
Date: Sat, Sep 27, 2008 Wine Tasting
I'll be on holiday for the next week or so - a long overdue respite and, hopefully, a week of sunshine and relaxation. Rather than broadcasting dead air, I thought I'd bring out a few nuggets from the archives to keep things rolling over the next few days. (Thanks for the idea, Ace.) Looking back at the postings I've chosen, I found it tempting to edit things, add photos, make little improvements... but I decided to leave them untouched. It's interesting to me to see how my own work has evolved over the last year-and-a-half.
Anyway, I hope you find something to enjoy, something you may have missed the first time around. The archive postings will "go live" starting tomorrow. I'll be back in regular blogging mode around the 5th of October. See you then.
Two Philly Chefs Hit the Shelves (and Other Goings On Around Town)
Date: Fri, Sep 26, 2008 Wine Tasting
I'm guessing I'm not the only Philadelphian out there who's proud of his own town yet feels like Philly tends to get snubbed when it comes to national recognition as a great dining city. A small handful of the area's most ambitious chefs have been out to change that for the last several years. Two of the most widely noted of that set have recently taken a big leap, one step further into the national consciousness, both releasing their first cookbooks over the last couple of weeks.
Marc Vetri, owner of the eponymous Vetri and of Osteria co-wrote Il Viaggio Di Vetri: A Culinary Journey with David Joachim.
Latin Evolution, by Jose Garces, charts the chef's voyage through the cuisines of Spain and South and Central America, work that's put his Philadelphia restaurants - Amada, Tinto and, most recently, Distrito - on the map.
I've enjoyed meals - some of them exceptional - at the restaurants of both Marc and Jose, so I'm looking forward to reading their books.
In other goings on about town:
Tria Fermentation School has just announced its October schedule of classes. As usual, many sold out in a flash but there are still seats available for some pretty groovy sessions. It's a great classroom environment, both intimate and fun, so check it out.
The class with Sam Calagione, wild and woolly master brewer at Delaware's Dogfish Head Brewery, is already sold-out. Don't entirely despair, though. Sam will be on-hand at Tria's 12th & Spruce location before class, pouring his new ancient recipe brew, Theobroma, along with other Dogfish Head classics. The "Dogfish hour" runs from 5:00 to 6:00 PM next Tuesday, September 30. No reservations necessary. Just show up and enjoy.
Also next Tuesday, Blackbird Dining Establishment in Collingswood, NJ, is kicking off their seasonal dinner series with a four-course menu based around one of nature's greatest wonders: bacon. Tough to go wrong there.... Seatings are available at 6:30 and 8:30 PM. Just follow the link above for contact information.
Two from Jenny, François and Neil
Date: Thu, Sep 25, 2008 Wine Tasting
Regular readers may remember postings from my July jaunt up to New York. One of the highlights of that trip was a very relaxed dinner at the home of one of my favorite wine bloggers, Brooklynguy (aka, Neil). As if inviting a stranger (that would be me) into his home, introducing him to his family and cooking him dinner weren’t enough, Neil all but forced two bottles of wine into my hands not long before we bid adieu for the evening. They were two of his favorite day-to-day pours that, obviously, he really wanted me to try. On the ball as Brooklynguy is I think he also knew that I would have to jump through hoops to find either wine in the Philadelphia area. Both wines come into the Eastern US thanks to Jenny & François Selections. 
Coteaux du Languedoc Pic Saint-Loup “Les Tonillières,” Mas Foulaquier (Blandine Chauchat) 2005
$17. 13.5% alcohol. Cork. Importer: Millesimes Fine Wine Traders, Boston, MA (Jenny & Francois Selections, World Wide Wine, Ltd., New York, NY).
This reminded me in a lot of ways of the Minervois from Château d’Oupia that I wrote up a while back, but extra-chunky style. Snappy aromas of macerated wild berries, dark ground spices and tree bark. Very alive in the mouth, its vigorous texture delivered a sense of energy to all nooks of the palate. Hardly high acid but much brighter and fresher than far too many other wines from the Languedoc. It somehow managed to be rustic, charming, boisterous and refreshing all at once. Perfectly suited to robust comfort foods like ribs, pot pies or burgers. Though a solid value in the mid-to-high teens, it would be fantastic if under $15.
Cahors, Clos Siguier 2005
$12. 12% alcohol. Cork. Importer: USA Wine Imports, New York, NY (Jenny & Francois Selections, World Wide Wine, Ltd., New York, NY).
I heeded Brooklynguy’s advice and decanted this. I’m glad I did. When first poured, this gave off the most highly floral nose – all crushed blue flowers – I’ve ever come across in Cahors – or any Malbec based wine, for that matter. Add to that just the lightest note of the wet paint scent common to SW reds and things seemed to be off to a good start. It was lighter in weight than I’d normally expect but firm tannins and fairly high acidity provided firm sinew. Shortly thereafter the wine shutdown, becoming lean, even a little sour on the palate, like slightly unripe purple plums. The tannins softened up while the acidity heightened.
After a good thirty to sixty minutes in the decanter, though, things really turned around. The wine took on weight. Balanced structure returned. And the aromas blossomed again (no pun intended). A suggestion of bittersweet cocoa powder showed up on the palate, played off against ripe plums and damp earth. The wine remained light – it’s really not a powerhouse style of Cahors – but turned out to be full of invigorating flavors and just a beauty to smell. I found myself softly exclaiming just about every time I raised the glass to my nose. $12 for a wine with this much character is nothing to sneeze at, just as its 12% alcohol – and my palate tells me that’s an accurate level – is more than welcome in today’s climate. I found it pretty dead-on with grilled lamb chops. Neil likes it with duck. Either way, I’m indebted to him for the experience.
Catching Up with Giuseppe Vajra
Date: Wed, Sep 24, 2008 Wine Tasting
Giuseppe Vajra first walked through the doors at the shop where I spend my days about four or five years ago. He couldn’t have been much more than nineteen at the time, making his way around the US on his first trip as emissary of his family’s estate. It must have been an awkward baptism, as he wasn’t old enough, legally here in the US, to taste his own wines even though it was his responsibility to show and discuss them with clients. Logistics aside, like so many other young men and women of his generation who happened to have been born into wine growing families, Giuseppe, on that first trip, was still undecided as to whether he saw his future in wine.
As a guy roughly twice Giuseppe’s age, come relatively late to the wine business, it’s all too easy for me to look on his situation with awe, even with a touch of envy. How great would it be to inherit beautiful vineyards and a winery in Barolo – or almost anywhere for that matter? Going back through time and putting myself in nineteen year-old shoes, though, and imagining (theoretically) my own father talking of passing along “the family business” to me, Giuseppe’s trepidation was clearly justified. The call of the new and different, of the city, of exploring things away from home – even of rebellion – must certainly have been great.
When I saw Giuseppe again two or three years ago, he had taken a couple of steps toward a decision but was still somewhat unsure. Meeting him for a third time, just last week, it’s now clear where Giuseppe’s future and, yes, his heart, lays. When he speaks about the family winery, still headed by his father Aldo Vajra, it’s clear that Giuseppe is speaking in we terms, is thinking of how he’ll carry on – or even change – the work that Aldo does today. In speaking of Aldo, Giuseppe said, “The more my father ages, the less he wants to do to the wines.” It’s a lovely expression of the constantly evolving, increasingly natural approach to winemaking at the Vajra estate. And as Giuseppe spoke of their continuing adoption of biodynamic techniques, of their positive approach to minimizing the use of sulfur in the wine making regime and of the terroirs that make up the estate, it was again clear that he was thinking in terms of “we,” not just “he.” Giuseppe’s become more than a spokesperson, that’s for sure. Given that he’s named after his grandfather, Giuseppe Domenico Vajra, whose name still appears on the family’s wines, he couldn’t have chosen a more fitting path.
As on his first visit some five years ago, Giuseppe was passing through to show the current releases of the estate. Here’s a look at what he poured for us.
Langhe Rosso, G. D. Vajra 2006 (13% alcohol)
To some, the idea of a blended wine being produced in the Langhe district of Piedmont automatically equates to modernism. Vajra’s Langhe Rosso, though, is far from a “Super Piemontese” red. Instead, plain and simple, it’s the most basic, casual wine produced at the estate. A young vine cuvée destined for youthful drinking (although it does age surprisingly well), its blend varies from year-to-year based on the natural production cycle of any given vintage. The 2006 Langhe Rosso is a blend of Nebbiolo, Dolcetto and Barbera, plus very small amounts – about 5% each – of Pinot Noir, Freisa and Albarossa. The latter vine, Albarossa, was originally created by Professor Giovanni Dalmasso when, in 1938, he crossed Barbera with a local mutation of Nebbiolo called Chatus. Albarossa turned out to give less elegant wines than hoped for on its own but serves as a useful blending agent, providing violet color and crispy texture. The wine? Full of bright red, punchy fruit. Lively mouthfeel and a slightly sweet/tart/tropical nose. Delicate tannins, refreshing acidity and easygoing light-to-medium body make it a versatile pour.
Dolcetto d’Alba, G. D. Vajra 2007 (13.5% alcohol)
Radiantly violet/purple in the glass. Giuseppe thinks of it as blue. Lovely, crunchy tannins follow a mouthful of dark red cherries, plums and inky minerality. One of the most fruit-forward expressions of Dolcetto I’ve had from Vajra, although it almost always does start out fruity in its youth and then develops subtlety with age. In the winery, it is put through a very quick cold stabilization to fix its vibrant colors and to partially forestall Dolcetto’s tendency to throw high quantities of sediment. If you’re a Loire Valley Cabernet Franc fan, you owe it to yourself to try this.
Barbera d’Alba Superiore, G. D. Vajra 2006 (14% alcohol)
Bottled just a week before Giuseppe’s trip, this is a brooding, muscular style of Barbera, with tannic extract playing against Barbera’s natural acidity and showing off the vine’s balancing act between rusticity and refinement. Tautly wrapped blueberry and blackberry fruit, touched by a bit of wood spice. Aged in old tonneau and 2500-liter casks. Giuseppe described it as less juicy than the 2007 and less classic than the 2004 but perfectly balanced. At seven to ten years of age, he thinks this will become more mineral, floral and herbal in character. For now, it’s a mouthful of intensity that would pair well with braised meat dishes or perhaps a dish of beef cheek ravioli.
Langhe Nebbiolo, G. D. Vajra 2006 (13.5% alcohol)
This was Giuseppe’s go-to “college wine” during the past year, what he poured for his roommates at University to help compensate for his lack of cooking abilities. A great food wine it is. Although in my experience this wine can age better than most “basic” Langhe Nebbiolo, G. recommends drinking it in its first three-to-four years for maximum enjoyment. This is Nebbiolo fermented and aged only in steel, produced primarily from fruit grown in a southwest-facing parcel called “Gesso” located at the foot of Bricco delle Viole and from the young vines in the Vajra’s recently acquired property in Sinio, just outside of the Barolo zone on the outskirts of Serralunga d’Alba. The wine is in a great spot right now, full of violet, rose petal and red licorice aromas. Finely detailed and long on the palate. No lack of nuance. Every bit a fine example of a “poor man’s Barolo.”
Barolo “Albe,” G. D. Vajra 2004 (14% alcohol)
“Albe” is Vajra’s young vine Barolo, produced from 20 year-old vines in the vineyards La Volta, Coste and Fossati, all on the hillsides in Vergne, perched above the town of Barolo itself. After a 20-day fermentation and maceration, the wine is aged in traditional botte of Slovanian oak along with a small amount of tonneau and 50-hectoliter barrels. Bottled only two months ago, it’s very tight, with a firm tannic structure and a nose full of tar and black earth. It needs about a year before it starts to show its real stuff. This and their Freisa called “Kyè” are the two wines, Giuseppe feels, that change the most from year to year.
Barolo “Bricco delle Viole,” G. D. Vajra 2004 (14% alcohol)
The Bricco delle Viole vineyard was planted by Aldo’s grandfather (Giuseppe’s great-grandfather) in 1949. 1978 was Aldo’s first vintage. His 2004 is already beautiful wine, showing more forward, elegant aromas t