Its been called California’s grape. So much so that a bill was put to the California state legislature to name Zinfandel as California's "historic wine”. But the Governator (Arnold Schwarzenegger) vetoed the attempt. It was the correct thing to do as Zinfandel is not a native American grape. Genetically it is related to the Italian Primitivo and the Croatian Crljenak Kaštelanski ("Kaštela Red"). In fact Dr Carole Meredith, who performed the genetic analysis, refers to the variety as "ZPC" - Zinfandel/Primitivo/Crljenak Kaštelanski.
Andrew Jefford, who has written a number of tomes on wine, is now in Australia on a Senior Research Fellowship at the University of Adelaide and as Winewriter in Residence to the Australia Wine 2030 Project. He will be in Adelaide for about a year during which time he plans on writing another book – on Aussie wine as he describes below on his blog.
The overall aim of the year is to research and write as much as possible of a book on terroir in Australia … or, if you prefer, what makes Australia’s greatest wines and vineyards different from each other and from those found elsewhere on the landmasses of our precious blue planet. With that in mind, if any Australian producer would like to contact me with information, samples or anything else which might deepen my understanding of the above, they are most welcome to do so: the address is 12 Rawson Penfold Drive, Rosslyn Park, SA 5072 and the landline is 08 8364 5296, or via the ‘Contact’ section of this website. It’s a great privilege to be here, and to have the chance to learn more about a major world wine culture in situ rather than breezing through in customary journalistic style. I’m anxious not to waste it.
You can follow his time in Australia via his blog as well as via a new, monthly column for Decanter magazine beginning later in 2009.
It will be interesting to see what he comes up with in terms of which wines and/or regions exhibit a sense of place.
Held on Saturday Jan 17th at Vintage Wines in San Diego this tasting is one of several during the year to feature Australian wines. The moniker new releases should be taken with some caution as some of the wines might have arrived on the shelves the day after the previous “New Release Aussie” tasting. Still this is always an interesting tasting for me because I have a pretty intimate knowledge of the Aussie wines that are available at Vintage. I might not have tasted them all but I’ve looked at the labels so often that the wines have etched themselves into my subconscious. Those sorts of wine memories are not the best to recall when tasting wine but they can be a great foundation for some hilarious mistakes in identifying what might be in the glass.
A new beginning. An about-face from ineptitude, secrecy, embarrassment, and hopefully no more mind numbing mistakes. What wine do you select to celebrate such a moment in history? I doubt that I have ever thought so long and hard about any wine selection. Should I pick something old, something expensive, perhaps elegant, unflustered, or maybe big and bold, something foreign or American? I became a US citizen in October 2008 but I am allowed to retain my Australian citizenship, so perhaps something from Australia. I searched my cellar row by row until I picked up a bottle of Jim Barry McRae Wood Clare Valley Shiraz, turned it over and read the blurb, and I knew I had my wine.
This is the first of a new series of (hopefully not irregular) posts in which I will take you to my favorite wine shop for some wine tasting. I have been gladly burdening my credit card at Vintage Wines in San Diego for over 20 years simply because they provide great value, service and knowledge. And they also put on some great wine tasting events. The most regular is their Saturday tasting which, if you have the stamina, has three parts. For those looking for wine bargains, seemingly more and more winos these days, there is the $2 Tasting which consists of between 4-6 wines of $15 or less/bottle. Next is the $5 Tasting which consists of 6 wines selected around a theme such as a region, variety, or wine style. Finally there is the Wine Bar which consists of 12 wines (usually 6 white and 6 red including at least one desert style) which is changed every Friday afternoon.
Last weekend I was offered a few more. How about Geoff Weaver Sauvignon Blanc for $3.99USD? This wine retails for about $24USD so $4 sounds pretty good! OK the catch is that its 2004. No one in their right mind would buy a 5 year old Sauvignon blanc? So I got a case. Well it is under screw cap which Geoff Weaver claims “helps retain the fruit intensity and freshness and guarantees the wine will age well.”
If you are more than just a casual drinker of wine you know that there is a whole industry producing glasses so that you can savor your favorite wine. Should you wish to you can purchase a seemingly endless array of wine glasses of different shapes and sizes to draw the most out of your Shiraz or Zinfandel, or Chardonnay, or just about any other variety. There are even glasses made that supposedly suit wines from different regions. There are completely opaque glasses that hide the wine from view to glasses that lack both the foot and stem of the conventional wine glass. And, of course, all this can come at considerable expense. Plus you have to wash them and if they are expensive that means hand washing with special detergents and drying clothes to preserve their pristine appearance. And then someone drops one and all you are left with is a mess to clean up. Why doesn’t someone make a shatterproof, durable, dishwasher friendly and cheap wine glass so that I don’t have to worry about how much longer my good glasses have to endure mistreatment by those who don’t really care about either the wine or the glass?
Before I get into vivid, mouthwatering descriptions of some of the wines we tasted during our trip to Australia I thought I would share a post or two on a few wine related gems from downunder. The first involves a little book that I purchased at Shaw Vineyard Estate. The Shaw Vineyard estate is at Murrumbateman, about 30 km north of Canberra and is part of the Canberra wine region. It is also one of those wineries that bears a unfortunate resemblance to Frass Canyon winery of Sideways fame. Lots of glitz and kitsch but not much personality. We were there on the weekend when the region’s wineries have their Wine Roses and all that Jazz celebration, and so Shaw had a quartet playing right in the packed cellar door which is also attached to a restaurant that was full of noisy patrons. Not exactly ideal circumstances when it comes to a quiet taste of a few wines.“What I really wanted was to sit at the foot of a great palate, the most
knowledgeable wine guru, the ultimate taster. Unfortunately there was no such
person around at that time, nor is there one today. All one may do is scratch a
bit here and scratch a bit there, trying to put enough together to achieve some
sort of understanding of this most wondrous of drinks. And I do hope some of the
above helps, even if all it does is open some minds to the possibilities of the
subject. “
There is, of course, more in this little book. Evans devotes 30 pages to the assessment of wine, covering the areas of color, nose, entry, middle palate, after palate and finish. But there is no technical detail, just observations gleaned from 30 plus years as a wine judge. His strongest recommendation? Smell a wine deeply for "a great deal of what is to be learnt of any wine is there, 'on the nose' ". Perhaps paradoxically Evans is not a devotee of describing the aroma/bouquet of wine. His explanation is that he has “neither the olfactory range or the inclination” to adopt “the endless wine vocabulary used overseas”. To Evans “wine smells of itself”. Perhaps such an explanation seems unsatisfactory given his extraordinary tasting ability but Evans is no scientist, his strength lay in an ability to compare and contrast wines, remembering the experience more viscerally than cerebrally.
He is also not above poking a few jabs at the insularity of wine critics/judges, especially from the States. You know the ones, they “start writing for newspapers and magazines and appear on TV: they get feted a little, and in no time they’re all experts. We’ve had lots of them over here to judge different shows and some of them, to be frank, are quire ordinary. They may be alright when they can read the labels but when it’s blind they’ve made some shocking mistakes.” Ouch. But then I wouldn’t expect anything else but the unpalatable truth from Len Evans.
The one semi-technical contribution in this little book is described in the section called An Indulgence. Its Evans’ attempt to depict the structure of individual wines in a graphic format. Each graph is broken into nose, entry, middle palate, after palate and finish – the aspect of tasting described earlier in the book. The height of the line and the width of each segment conveys the impact of the wine. If necessary the intensity can be displayed by the width of the line and the density by dots of varying size. It looks somewhat clumsy and it is difficult to appreciate how a single line contains the many dimensions of a wine. But then it comes from the mind of a true individual in the world of wine. Afterall who else could pen a "Theory of capacity"?
How To Taste Wine (paperback) by Len Evans, 112 pages, Barbara Beckett Publishing, Paddington, Australia (2007) $19.95AUD.
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